Ebook Free , by Sean Howe

Ebook Free , by Sean Howe

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, by Sean Howe

Ebook Free , by Sean Howe

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Product details

File Size: 1238 KB

Print Length: 496 pages

Publisher: Harper (October 1, 2013)

Publication Date: October 1, 2013

Sold by: HarperCollins Publishers

Language: English

ASIN: B00DG292XK

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Amazon Best Sellers Rank:

#46,507 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

At first I was a little skeptical about the subtitle of Sean Howe’s 2012 book Marvel Comics: The Untold Story. I grew up reading Marvel Comics and have read other books on the company’s history. After finishing Howe’s version, however, I’m happy to report that his investigative journalism into Marvel’s past is quite impressive, and the book makes for a truly fascinating read.For the first couple chapters, I wasn’t so sure. In Chapter 1 Howe covers the entire history of Marvel, formerly known as Timely Comics, up through the 1950s. That’s the entire Golden Age in less than 30 pages! Howe isn’t really concerned, however, with the myriad genres that Timely used to publish—western, horror, romance, funny animals, and so on. This is really a history of what Marvel is most famous for—the superheroes, beginning with the Silver Age pantheon created by Stan Lee and Jack Kirby, and in some cases, Steve Ditko. Chapter 2 covers the birth of the Fantastic Four, the Hulk, Thor, the Avengers, X-Men, and Spider-Man. Howe’s recaps of origin stories and mythologies get a little long-winded, leaving one to wonder when the “untold story” is going to begin.From that point on, however, the book really hits its stride and becomes incredibly addictive, with vivid details and surprising revelations on every page. This isn’t a literary history of Marvel’s creative glories, but rather a true business history, replete with mergers, acquisitions, and struggles for administrative power. I’ll confess some of the financial and legal details were over my head, and at times, I could have used a little less detail. Over the course of superhero comics history, writers and artists continually defected from Marvel to DC and back again, and Howe keeps you apprised of each and every arrival and departure. Nevertheless, it’s better to commit sins of excess than omission, and Howe’s thorough, behind-the-scenes exposé of life inside the Marvel bullpen is probably the next-best thing to working there.Though written in the third person, the book has the feel of an oral history, likely because Howe interviewed about 150 former Marvel employees. Howe lets all sides get their two cents in without passing judgment. The long-fought battle between Lee and Kirby over creative ownership of certain characters, for example, is handled in a fairly balanced manner. Howe diligently follows the trail of rancor, and neither party comes out smelling like a rose. Stan the Man comes across as somewhat pathetically clueless, while King Kirby is depicted as taking his justifiable grievances to delusional excess. In general, Howe subtly favors individual creators over big business, but he always presents both sides of an argument.Though Howe celebrates the company’s creative triumphs, his overall picture of the Marvel empire is rather unflattering. As he charts the trajectory of the publisher through boom and bust periods, he makes it pretty clear that over time the company has sacrificed creative quality in favor of commercialism, diluting the integrity of its treasured characters for a quick buck. As one of the many fans Marvel lost in the ‘90s, I have a tendency to agree with him, which is perhaps why I enjoyed the book so much. There are other good books on Marvel history out there, like the self-congratulatory Marvel Chronicle: A Year by Year History or Mark Evanier’s excellent biography Kirby: King of Comics, but if you’re looking for one book that’s going to give you the clearest, most complete picture of the Marvel story, this is it.

God knows, creative people are not usually the easiest creatures to work with and the passion that comic readers invest in these things is way beyond what I consider healthy. Sending out death threats to writers or artists because they killed a comic-book character isn't exactly someone working with a full storyboard in their head. Mr. Howe's "Marvel Comics: The Untold Story" is a clear-eyed view of the birth and evolution of the mighty comic publisher. A large portion of the book focuses more on the dynamics between management and the creators. The author thankfully avoids immersing "Marvel Comics" into the different cartoon characters' adventures. Sadly, all the illustrators who were the visual and sometimes creative brainchilds of the now iconic superheroes such as Spiderman, Captain America, Fantastic Four, Hulk, Wolverine and X-Men were looked upon as peons by the original owner Martin Goodman and the other executives who followed in his footsteps. The author does an excellent job of separating fact and fiction about the myths that have arisen around Stan Lee and illustrator-extraordinaire Jack Kirby.The book certainly removed any romantic impressions I had about working in such a demanding and temperamental field. It was disheartening to see how a scrappy little company churned out these wonderful creations and eventually morphed into a corporate nightmare under the tutelage of odious, corporate raiders Ron Perelman and then Carl Icahn. At some points, you'll shake your head in disbelief at the gang-that-couldn't-shoot-straight executives' actions. I imagine "Marvel Comics" is a work that will interest people who read comics or have an interest in how the industry works. It would be nice to see a book written about the other publishing Goliath, DC Comics. Mr. Howe has written an extremely engaging book.

A casual fan of Marvel comics might enjoy this, but a hardcore fan who carries 20-53 years of the 616 in their head will love this.Stan Lee comes off poorly, which is not surprising but still disappointing. Artists and writers were screwed by Marvel (which often acted like a greedy, short-term focused company) for years, and Jack Kirby got the worst of it.Sean Howe is clearly a fan of comics and knows his Marvel Universe, but that should not at all diminish the work he put into hundreds of interviews that make this book absolutely fantastic.Some cool points/highlights:(1) Dazzler was created to tap into the disco craze, even after it had already started to die.(2) The X-Men saga into space during the late 70's was partly driven by the desire to capitalize on the Star Wars craze(3) After Jim Shooter was fired, John Bryne took over "Starbrand" and promptly blew up Shooter's hometown of Pittsburgh(4) After editors and writers started getting commissions in the early 90's, quality went down and "put Wolverine in it" was the line given to boost sales of any sagging book(5) "Secret Wars" was made in order to sell toys(6) Comics were blamed for juvenile delinquency in the 1950's(7) Year later, Stan Lee had no idea who the New X-Men were(8) Mark Gruenwald was a really fun guy(9) It also covers the exodus of talent in the 90's and the creation of Image comics(10) Frank Miller thought up the idea for "Born Again" when he was sitting in his bathtub in LA without any moneySeriously...if you've read this much of my review, you will LOVE this book. I don't like to use hyperbole, but in this case, it is deserved.

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