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Get Free Ebook Body Image, Second Edition: A Handbook of Science, Practice, and Prevention
Get Free Ebook Body Image, Second Edition: A Handbook of Science, Practice, and Prevention
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Body Image, Second Edition: A Handbook of Science, Practice, and Prevention
Get Free Ebook Body Image, Second Edition: A Handbook of Science, Practice, and Prevention
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Review
"This volume offers the most comprehensive review to date of knowledge about body image. Whether you are a professional or student interested in body image, you should keep this book close at hand. The second edition maintains the high standards of its predecessor while incorporating the latest research. Highlights include more information about the neuroscientific bases of body image and expanded coverage of prevention."--Sabine Wilhelm, PhD, Department of Psychiatry, Harvard Medical School; Chief of Psychology, Massachusetts General Hospital"The first edition of this book was great, and this one is even better. It captures the significant advances that have occurred in the field over the past decade. This is the definitive work on all matters pertaining to body image."--Kelly D. Brownell, PhD, Robert L. Flowers Professor of Public Policy and Dean, Sanford School of Public Policy, Duke University"Cash, Smolak, and their contributing authors summarize most of what is currently known about body image. They cover the full range of relevant topics in 53 concise chapters. This terrific volume is the standard work on body image for clinicians, researchers, teachers, and students across disciplines."--Carlos M. Grilo, PhD, Departments of Psychiatry and Psychology and Director, Program for Obesity, Weight, and Eating Research, Yale University "Cash and Smolak are world-renowned researchers who provide extensive information on all aspects of body image disturbance. This book is 'must' reading for anyone entering the field of mental health, as well as those already practicing. It discusses everything from developmental aspects of body image, to the normal range of appearance-related concerns, to assessment and treatment of body image disorders. There is no comparable book on the market today."--Fugen Neziroglu, PhD, ABBP, Director, Bio-Behavioral Institute, Great Neck, New York"This creatively edited book provides an enriching and intelligent read, filled with a diverse group of authors and subjects." (Journal of Social Work Practice in the Addictions 2012-10-11)"This book is remarkable in its scope, including information difficult to find elsewhere, and nowhere singly....An outstanding contribution to the field." (Psychology of Women Quarterly 2012-10-11)"This handbook should prove relevant to a wide audience. Researchers, especially graduate students, will find a wealth of information on assessment instruments and future directions for study....The book will not only be useful to researchers but also will give clinicians such as psychiatrists, psychologists, and mental health professionals a deeper understanding of cutting-edge issues of body image." (Journal of the American Medical Association 2012-10-11)"This timely book may encourage greater communication and cross-fertilization among disciplines and fields. It provides a wealth of ideas for those interested in this fascinating topic and will serve as a valuable and frequently referenced resource." (New England Journal of Medicine 2012-10-11)"Particularly relevant to mental health practitioners, clinical psychologists and nurses delivering holistic care." (Nursing Standard 2012-10-11)"An invaluable theoretical reference and inspiration for research....A resource that should have a place on the shelf of anyone who engages in research or practice concerning body image and its related psychopathologies....Well worth the purchase....The novel topics and integration of cutting-edge science will help guide the next wave of research, practice, and prevention work....Chapters of this book would make for excellent readings for courses that discuss such disparate topics as eating psychopathology, applications of feminist theory, and health psychology, among others. In addition, this book would make an excellent primary text for an undergraduate or graduate topics course concerning body image. Cash and Smolak also do a superb job of integrating the information from this 53-chapter text in their introductory and concluding chapters, accurately assessing the strengths as well as potential areas of growth for the science surrounding this construct." (Psychology of Women Quarterly 2013-01-16)
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About the Author
Thomas F. Cash, PhD, is Professor Emeritus of Psychology at Old Dominion University in Norfolk, Virginia. His research focuses on influences of physical appearance and body image on psychosocial functioning, including such topics as body image development, assessment, and treatment; obesity; eating disorders; cosmetic surgery; appearance-altering conditions; and appearance stereotyping and discrimination. He has authored or edited eight books and over 200 journal articles and book chapters. Dr. Cash has developed an empirically supported cognitive-behavioral program for body image improvement, as well as over a dozen validated assessments of dimensions of body image. He is the founder and Editor-in-Chief of Body Image: An International Journal of Research and an elected Fellow of the Association for Psychological Science. Dr. Cash resides in Naples, Florida.Linda Smolak, PhD, is Professor Emerita at Kenyon College in Gambier, Ohio. Her research focuses on the development of body image and disordered eating, including such topics as media and familial influences on children’s body image; child sexual abuse and body image; muscle building among adolescent boys; eating disorder prevention programs; athletic participation and body image; and gender roles and body image. She has been involved in the development of several body image-related scales. Dr. Smolak is author or editor of seven books and dozens of journal articles and book chapters. She is an Associate Editor of Body Image: An International Journal of Research and serves on the editorial board for Eating Disorders: A Journal of Treatment and Prevention.
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Product details
Hardcover: 490 pages
Publisher: The Guilford Press; Second edition (June 1, 2011)
Language: English
ISBN-10: 1609181824
ISBN-13: 978-1609181826
Product Dimensions:
6.5 x 1.5 x 9.5 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#772,474 in Books (See Top 100 in Books)
Great book! It is quite informative and eye-opening not just for being in school but prepares you to see what it’s like in our world as well.
I purchased it mainly as a go-to text to learn by. So far, so good.
This book is not well organized for me. Hard to find things
This volume has been skillfully edited by two of the world's leading experts on body image. Both have had long and distinguished scientific careers which provide the foundation for them to make this particularly practical contribution to the scholarly literature. The editors have brought together the most knowledgeable experts on an impressively wide range of body image topics. Reading the chapters of this book is like having the unique and rich opportunity to speak in person with a leading scholar and have them provide a clear and concise review of the scientific literature that has been the focus of their attention for many years (often decades). This book makes a particularly unique contribution by virtue of its combination of concision, clarity, and comprehensiveness. If you want the "best of" the scientific literature on body image from the people who know, then this is the book for you.
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Ebook Free Galileo's Glassworks: The Telescope and the Mirror
Ebook Free Galileo's Glassworks: The Telescope and the Mirror
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Galileo's Glassworks: The Telescope and the Mirror
Ebook Free Galileo's Glassworks: The Telescope and the Mirror
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From Publishers Weekly
Galileo is mistakenly believed by many to have invented the telescope—a misconception that the scientist did little to correct in his own time. Rather, as Reeves, an associate professor of comp lit at Princeton, reminds readers in reviewing both the myths and facts of telescopy, Galileo perfected a relatively crude Dutch invention that he had gotten wind of. It was his improved version, which he christened a telescope, that he used to discover the four large moons around Jupiter and the topography of the Earth's moon. However, as Reeves recounts, reports of magical mirrors and lenses dated back to the lighthouse of ancient Alexandria, which according to legend, was topped by an enormous mirror that could spy enemy ships and set them on fire. Stories circulated about other cultures, often Eastern, whose rulers used mirrors to keep a watchful eye on their citizens and spot invaders from afar. The English friar and scientist Francis Bacon intrigued generations with stories of marvelous looking glasses and a mirror that Julius Caesar supposedly used to observe the coast of England from France. In Galileo's time, the author reports, many scientists and amateurs were experimenting with optics and purloining each other's results in a complex game of cross-national thievery. Reeves's study is a skillful interpretative blend of legend, history and science about lenses, mirrors and their conjoining in the telescope. 5 illus. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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Review
The telescope was "invented" in 1608. But what about the events leading up to it? Galileo and his contemporaries were searching for a device with which "from an incredible distance we might read the smallest letters." Eileen Reeves tells a story of "cultural optics:" magical mirrors and political intrigue, and investigators looking for magnifying power in all the wrong places, while the solution lay in the humble spectacle lenses on their noses. An excellent read, and an important contribution to the history of science. (Albert van Helden, Lynette S. Autrey Professor of History, Rice University)Eileen Reeves' book provides us with a significant effort for a better understanding of the cultural features involved in the making of the telescope. Highly original and innovative, Galileo's Glassworks paves the way for further inquiries that will deepen our knowledge of the relationship between well-established cultural models and technological innovations. (Michele Camerota, Professor of the History of Science at the University of Cagliari)In Galileo's time, [Reeves] reports, many scientists and amateurs were experimenting with optics and purloining each other's results in a complex game of cross-national thievery. Reeves's study is a skillful interpretative blend of legend, history and science about lenses, mirrors and their conjoining in the telescope. (Publishers Weekly 2007-10-15)Scattered with intriguing nuggets. (Kirkus Reviews 2007-11-15)Fascinating...Eileen Reeves shows just how tangled with myth and legend the history of the telescope, and Galileo's pioneering use of it, actually was...Ms. Reeves recounts this complicated history with great flair. She is more interested in the missteps and the stumbles that accompanied momentous discoveries than in their scientific significance, and rightly so. The tale of Galileo's telescope is, as it turns out, an intensely human one. Sometimes, amid the intrigue and the campaigns of slander and distortion which surrounded Galileo's discoveries, it seems as if the chief obstacle to a clear-sighted gaze at the heavens lay not in better optics but in piercing dense clouds of misconception. As Ms. Reeves shows, Galileo was no isolated genius; he built on the scattered findings of his predecessors. To certain contemporaries, he appeared as a modern Prometheus, but he was also a shrewd operator, as ambitious as he was inquisitive. There was something both sublime and stubborn in his nosiness, yet in the end it led him to the stars. (Eric Ormsby New York Sun 2008-03-12)Reeves's splendid account is a cultural and social history that sets Galileo's telescope in the rich landscape of optical science from the Middle Ages to the modern period. (Simon Mitton Times Higher Education Supplement 2008-05-22)
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Product details
Hardcover: 240 pages
Publisher: Harvard University Press (January 31, 2008)
Language: English
ISBN-10: 0674026675
ISBN-13: 978-0674026674
Product Dimensions:
6 x 0.8 x 8.4 inches
Shipping Weight: 14.4 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#3,152,196 in Books (See Top 100 in Books)
Not meant for those who want a systematic exposition of the technical development of the telescope. It is, however, a fascinating, detailed, deeply researched and novel approach to the history of the telescope. Conjures up and immerses the reader in the the complex zeitgeist of the 16th and early 17th centuries from which emerged the telescope. Sets the invention in the context of bitter scientific, religious and politic rivalry, scheming for patronage and superstition. The work emphasizes the role of slow and garbled communication of the time and the still rampant superstition, which combined to cause the conflation and confusion of rational and supernatural explanations of the telescope and other cotemporaneously emergent technologies (like the camera obscura and altimetry). The book is scholarly, but somewhat convoluted, at times testing the patience of the reader. In the end, it rewards the effort of the reader.
Great book for the amatuer astronomers library.
Although this book's subtitle is "The Telescope and the Mirror", there is very little discussion on the technical evolution and actual uses of these devices. Instead, the author focuses on the myths and legends about "magic mirrors" allowing the ancients to see what people were doing a great many miles away. The evolution of such myths over the centuries is also discussed, culminating with the invention of a real telescope, knowledge of which eventually reached Galileo. This is indeed a scholarly work. It is focused and heavily annotated, i.e., 166 pages of main text are supported by 50 pages of notes/references. However, scholarly works that are also aimed at general readers should be written in a style that is accessible, friendly and engaging. In my view, this is where this book misses the mark. Although I found the writing style to be authoritative, I also found it to be rather dry and awkward, due in no small part to the many very long-winded and often complex sentences. Consequently, it is very difficult to say what the book's target audience is. In my opinion, this is a work that should be studied rather than simply read for pleasure. It would likely be of interest to scholars who may be involved in research along related topics. However, I suspect that general readers, and even many history buffs like me, may find the book confusing and rather boring.
Actually, I was looking for a description of how Galileo was able to improve the telescope from 5x to 30x. There are no Glassworks in the book; no descriptions of how lenses were made. Galileo himself figures very little here: it is everybody else who had any claim to the invention of the telescope.
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Ebook Free , by Sean Howe
Ebook Free , by Sean Howe
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, by Sean Howe
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Product details
File Size: 1238 KB
Print Length: 496 pages
Publisher: Harper (October 1, 2013)
Publication Date: October 1, 2013
Sold by: HarperCollins Publishers
Language: English
ASIN: B00DG292XK
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At first I was a little skeptical about the subtitle of Sean Howe’s 2012 book Marvel Comics: The Untold Story. I grew up reading Marvel Comics and have read other books on the company’s history. After finishing Howe’s version, however, I’m happy to report that his investigative journalism into Marvel’s past is quite impressive, and the book makes for a truly fascinating read.For the first couple chapters, I wasn’t so sure. In Chapter 1 Howe covers the entire history of Marvel, formerly known as Timely Comics, up through the 1950s. That’s the entire Golden Age in less than 30 pages! Howe isn’t really concerned, however, with the myriad genres that Timely used to publish—western, horror, romance, funny animals, and so on. This is really a history of what Marvel is most famous for—the superheroes, beginning with the Silver Age pantheon created by Stan Lee and Jack Kirby, and in some cases, Steve Ditko. Chapter 2 covers the birth of the Fantastic Four, the Hulk, Thor, the Avengers, X-Men, and Spider-Man. Howe’s recaps of origin stories and mythologies get a little long-winded, leaving one to wonder when the “untold story†is going to begin.From that point on, however, the book really hits its stride and becomes incredibly addictive, with vivid details and surprising revelations on every page. This isn’t a literary history of Marvel’s creative glories, but rather a true business history, replete with mergers, acquisitions, and struggles for administrative power. I’ll confess some of the financial and legal details were over my head, and at times, I could have used a little less detail. Over the course of superhero comics history, writers and artists continually defected from Marvel to DC and back again, and Howe keeps you apprised of each and every arrival and departure. Nevertheless, it’s better to commit sins of excess than omission, and Howe’s thorough, behind-the-scenes exposé of life inside the Marvel bullpen is probably the next-best thing to working there.Though written in the third person, the book has the feel of an oral history, likely because Howe interviewed about 150 former Marvel employees. Howe lets all sides get their two cents in without passing judgment. The long-fought battle between Lee and Kirby over creative ownership of certain characters, for example, is handled in a fairly balanced manner. Howe diligently follows the trail of rancor, and neither party comes out smelling like a rose. Stan the Man comes across as somewhat pathetically clueless, while King Kirby is depicted as taking his justifiable grievances to delusional excess. In general, Howe subtly favors individual creators over big business, but he always presents both sides of an argument.Though Howe celebrates the company’s creative triumphs, his overall picture of the Marvel empire is rather unflattering. As he charts the trajectory of the publisher through boom and bust periods, he makes it pretty clear that over time the company has sacrificed creative quality in favor of commercialism, diluting the integrity of its treasured characters for a quick buck. As one of the many fans Marvel lost in the ‘90s, I have a tendency to agree with him, which is perhaps why I enjoyed the book so much. There are other good books on Marvel history out there, like the self-congratulatory Marvel Chronicle: A Year by Year History or Mark Evanier’s excellent biography Kirby: King of Comics, but if you’re looking for one book that’s going to give you the clearest, most complete picture of the Marvel story, this is it.
God knows, creative people are not usually the easiest creatures to work with and the passion that comic readers invest in these things is way beyond what I consider healthy. Sending out death threats to writers or artists because they killed a comic-book character isn't exactly someone working with a full storyboard in their head. Mr. Howe's "Marvel Comics: The Untold Story" is a clear-eyed view of the birth and evolution of the mighty comic publisher. A large portion of the book focuses more on the dynamics between management and the creators. The author thankfully avoids immersing "Marvel Comics" into the different cartoon characters' adventures. Sadly, all the illustrators who were the visual and sometimes creative brainchilds of the now iconic superheroes such as Spiderman, Captain America, Fantastic Four, Hulk, Wolverine and X-Men were looked upon as peons by the original owner Martin Goodman and the other executives who followed in his footsteps. The author does an excellent job of separating fact and fiction about the myths that have arisen around Stan Lee and illustrator-extraordinaire Jack Kirby.The book certainly removed any romantic impressions I had about working in such a demanding and temperamental field. It was disheartening to see how a scrappy little company churned out these wonderful creations and eventually morphed into a corporate nightmare under the tutelage of odious, corporate raiders Ron Perelman and then Carl Icahn. At some points, you'll shake your head in disbelief at the gang-that-couldn't-shoot-straight executives' actions. I imagine "Marvel Comics" is a work that will interest people who read comics or have an interest in how the industry works. It would be nice to see a book written about the other publishing Goliath, DC Comics. Mr. Howe has written an extremely engaging book.
A casual fan of Marvel comics might enjoy this, but a hardcore fan who carries 20-53 years of the 616 in their head will love this.Stan Lee comes off poorly, which is not surprising but still disappointing. Artists and writers were screwed by Marvel (which often acted like a greedy, short-term focused company) for years, and Jack Kirby got the worst of it.Sean Howe is clearly a fan of comics and knows his Marvel Universe, but that should not at all diminish the work he put into hundreds of interviews that make this book absolutely fantastic.Some cool points/highlights:(1) Dazzler was created to tap into the disco craze, even after it had already started to die.(2) The X-Men saga into space during the late 70's was partly driven by the desire to capitalize on the Star Wars craze(3) After Jim Shooter was fired, John Bryne took over "Starbrand" and promptly blew up Shooter's hometown of Pittsburgh(4) After editors and writers started getting commissions in the early 90's, quality went down and "put Wolverine in it" was the line given to boost sales of any sagging book(5) "Secret Wars" was made in order to sell toys(6) Comics were blamed for juvenile delinquency in the 1950's(7) Year later, Stan Lee had no idea who the New X-Men were(8) Mark Gruenwald was a really fun guy(9) It also covers the exodus of talent in the 90's and the creation of Image comics(10) Frank Miller thought up the idea for "Born Again" when he was sitting in his bathtub in LA without any moneySeriously...if you've read this much of my review, you will LOVE this book. I don't like to use hyperbole, but in this case, it is deserved.
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File Size: 2484 KB
Print Length: 186 pages
Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits
Publisher: Saunders; 3 edition (January 6, 2016)
Publication Date: January 6, 2016
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01B17IH3W
Text-to-Speech:
Enabled
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X-Ray:
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Word Wise: Not Enabled
Lending: Not Enabled
Enhanced Typesetting:
Enabled
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Amazon Best Sellers Rank:
#639,299 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This book is so cute and little! Barely weighs a thing, which is a plus! Came in good shape for a used book, too!
It's a good book that is required in my dental hygiene course.
Clearly I wouldn't recommend it for leisure reading, but it is nicely written for the class I needed to take for my degree.
In perfect shape.
Very good condition
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